Characters were introduced, their background in the game made known and the MC immediately sets out to ‘correct’ their flaws, nip potential troubles in the bud and avoid triggering the death flags that would befall on her as the game’s rival to the yet to be revealed heroine character.
The earlier chapters were fluffy, light and comedic as the MC starts encountering.
In fact, the story development has veered considerably from the initial premise. Yes, some of it remains, but the story goes much further than that. Sure, the description had a nice hook: all the ‘capturable’ male targets have ridiculous traits, leading me to believe the comedy will derive from the MC in handling their idiosyncrasies. Ok, I went in expecting the usual tropes of an “I’m in an otome game and I’m the villain!” story. If anything, some people prefer less-detailed storytelling. Although the author’s narrative and pacing was a bit lacking, it was not particularly bad. If anything, I wish she’ll continue to grow up to be a splendid princess in the future, conquer the hearts of the people, defeat evils, and so the heroine need not be summoned.Īll in all, so far Tensei Oujo is a wonderful one. It was so emotionally touching and thought provoking to see the things she did, and I found it hard to hate that. Half of it might be for her own sake, but she tried to do her best although she was just a ten years old child. more> She is a proper princess who understands what is noblesse oblige and works more on behalf of her country and for the good of the people around her. However, the protagonist was not the cliche spoiled princess nor a reincarnated person that only thinks ways to avoid her flags. no, her childhood playmates was boys, and her closest companions was knights. Don’t princesses usually have noble girl companions? Maids? But. It actually rather bothered me that the protagonist was surrounded by males only, and no other females her age there. IMO, Tensei Oujo can be summed up in a sentence: reverse harem with awesome plot and world build.
0 kommentar(er)
